The British actor excels at playing reserve, and what roils beneath, on “The Crown.” And now he brings that stoicism to “The Hunt,” onstage in Brooklyn.
For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.”
She got her start on Broadway at 15. But after finding a dearth of roles for Black women, she ultimately turned to one-woman shows that addressed racism and sexism.