Fine art inspired by the sport is everywhere. One gallery filled nearly 5,000 square feet, and its curator said she “could do a Part 2 and Part 3 because there is that much work out there.”
Nearly 30 years ago, Denyse Thomasos forged a form of abstraction that depicted the unspeakable and unimaginable confinement in slave ships and prisons. Her work had to be seen at the Biennial.
Nearly 30 years ago, Denyse Thomasos forged a form of abstraction that depicted the unspeakable and unimaginable confinement in slave ships and prisons. Her work had to be seen at the Biennial.