Roberta Smith, co-chief art critic, on fall exhibitions that capture a period during which art and art history have been in flux, including the New Museum’s survey of the polymathic Theaster Gates.
Nearly 30 years ago, Denyse Thomasos forged a form of abstraction that depicted the unspeakable and unimaginable confinement in slave ships and prisons. Her work had to be seen at the Biennial.
Nearly 30 years ago, Denyse Thomasos forged a form of abstraction that depicted the unspeakable and unimaginable confinement in slave ships and prisons. Her work had to be seen at the Biennial.