The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
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