Contemporary art brought in nearly $99 million. Low estimates for younger artists propelled prices, while Simone Leigh, a star of the Biennale, reached a benchmark $2.7 million.
This year’s event is a lopsided affair, with a forceful central exhibition but disappointing national pavilions. Stan Douglas (Canada) packs a punch and Simone Leigh (U.S.) stands out for her aspiration.
The acclaimed sculptor holds court at the U.S. Pavilion in the Venice Biennale, where she explores the burden of colonial histories and the promise of Black feminism. She begins by thatching the roof.