Jake Roxander’s soaring Puck in “The Dream” was the highlight of American Ballet Theater’s final two programs this fall, the first season programmed by Susan Jaffe.
New York City Ballet hosted a gala with unfortunate new costumes for Balanchine’s “Who Cares?” But the repertory is what matters, and it’s been dazzling.
To make a company, George Balanchine first needed to make dancers. At 75, New York City Ballet pays tribute to its dancers, including three who were there at the start.
Balanchine didn’t think his ballets would last. But many have become classics, the cornerstone of repertory not just at City Ballet but around the world.
Ananiashvili’s company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.