MANOHLA DARGIS

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‘Asteroid City’ Review: Wes Anderson and His All-Stars Go Meta

In his latest film, Wes Anderson and his all-stars go meta with a TV show about a theatrical play that, in turn, is about a...

‘The Idol’: The Weeknd, Sam Levinson and Lily Rose-Depp on Their Graphic Pop Drama

In an interview, the Weeknd, Sam Levinson and Lily-Rose Depp discussed their controversial new HBO drama. “Running headfirst into that fire is what thrills us...

Cannes Winners 2023: ‘Anatomy of a Fall’ Wins the Palme d’Or

The French filmmaker Justine Triet becomes the third woman to win the top honor at the Cannes Film Festival.

‘Creed III’ Review: A Franchise Finds New Fertile Ground

In his tender and gruff directorial debut, Michael B. Jordan again takes the lead, this time alongside Jonathan Majors as a childhood friend who has...

Sundance Film Festival 2023: Standout Movies

Dramas about couples (“Cat Person”) and families (“A Thousand and One”) tackle complex lives; documentaries on Judy Blume and Nikki Giovanni entertain.

For the First Time Ever, I’m Optimistic About Women in the Movie World

It’s not just the volume and range of films centered on female characters. It’s also a shift in consciousness that has made feminist concerns mainstream.

‘Guillermo del Toro’s Pinocchio’ Review: Puppets and Power

This quirky classic has been made all the stranger by the decision to turn it into an ill-conceived metaphor about fascism.

‘The Fabelmans’ Review: Steven Spielberg Phones Home

The director’s latest movie focuses on a budding filmmaker a lot like himself. But Michelle Williams, as his mother, is the soul of this fractious...

‘Amsterdam’ Review: A Madcap Mystery With Many Whirring Parts

Christian Bale, Margot Robbie and John David Washington lead a crowded cast of zanies in David O. Russell’s latest screwball outing.

‘Don’t Worry Darling’ Review: Burning Down the Dollhouse

Florence Pugh plays a seemingly happy housewife whose world starts to crack apart in Olivia Wilde’s wobbly feminist gothic.
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