GIA KOURLAS

The choreographer’s contemplative “Deep River,” performed by Lines Ballet at Lincoln Center’s Rose Theater, swims along, brimming with hope and love.

In “Solitude,” a stellar, haunting work that had its premiere on Thursday, New York City Ballet’s artist in residence brings a photograph to life.

For her latest program at the Joyce Theater, the one-of-a-kind choreographer showcases two new dances, along with a revival of “Ocean’s Motion.”

“A Dewdrop is a drop of dew,” India Bradley said. “So can’t anyone do it?” She and the guest artist Alexandra Hutchinson perform the role...

As part of its New York City Center season, Alvin Ailey American Dance Theater presents premieres by Amy Hall Garner and Elizabeth Roxas-Dobrish.

But “takemehome,” a look at isolation by Dimitri Chamblas in collaboration with the musician Kim Gordon, fades into its own shadows at NYU Skirball.

Lauren Lovette, the resident choreographer of Paul Taylor Dance Company, presents two new works as part of the group’s Lincoln Center season.

The choreographer Rachid Ouramdane works with acrobats and a highliner in “Corps Extrêmes,” a hypnotic production coming to the Brooklyn Academy of Music.

New York City Ballet hosted a gala with unfortunate new costumes for Balanchine’s “Who Cares?” But the repertory is what matters, and it’s been dazzling.

This French dance collective presents its bold vision with the Ballet National de Marseille at the Dance Reflections festival.