A.O. SCOTT

A.O. Scott conducts his own exit interview as he moves to a new post after more than two decades of reviewing films.

Instead of the chilling rationality of HAL in “2001: A Space Odyssey,” we get the messy awfulness of Microsoft’s Sydney. Call it the banality of...

The video of Memphis police beating Tyre Nichols challenges public complacency — and complicity. What are our duties as citizens and as human beings?

Shadowed by Chadwick Boseman’s death, this sequel focuses King T’Challa’s mother and the women helping her to contend with a slippery new villain.

In making his autobiographical film “The Fabelmans,” he confronted some painful family secrets, as well as what it means to be Jewish in America today.

Jordan Peele’s genre-melting third feature stars Daniel Kaluuya and Keke Palmer as brother-and-sister horse wranglers defending the family ranch from an extraterrestrial threat.

Austin Butler plays the singer, with Tom Hanks as his devilish manager, in Baz Luhrmann’s operatic, chaotic anti-biopic.

In this post-#MeToo moment, misogyny and celebrity go hand in hand.

Everyone knows Hollywood is progressive. But look at the films it churns out. They tell another story.

Tom Cruise takes to the air once more in a long-awaited sequel to a much-loved ’80s action blockbuster.